Julian Opie (1958-) 3D Lenticular Moving Image, in Colours ‘Dino Crawling’ Framed, 2012

Julian Opie (1958-) 3D Lenticular Moving Image, in Colours ‘DINO CRAWLING’ Framed, 2012

A Table Top / sideboard lenticular moving image print in Sepia and Colours from Julian Opies exhibition for the Alan Cristea Gallery, 2012. 

‘Dino Crawling’ is best enjoyed when on a table top, sideboard or at eye level, or even flat, providing a great visual, lifelike and spatial experience as Dino crawls. The picture frame has been designed for all applications.

Invitation postcard to the Alan Cristea Gallery, 2012.

Artist: Julian Opie
Title: DINO CRAWLING
Year: 2012
Medium: A 3D lenticular moving image, Layered Plastic on Royal Blue background, colours with black 
Image Dimensions: 15 x 10 cm / 6 x 4 inch
Framed: Yes overall  23 x 18 cm /9 x 7 inch  
Condition: Near Excellent

Postage and Packing – Due to geographical location Postage and insurance varies if required. 

Within this auction, Items Can be combined for best value postage. 
Please contact for details. UK mainland signed for.

About the Art and the Artist

One of Opies 3D images project, ‘Dino Crawling’ is best enjoyed when on a table top, sideboard or at eye level, or even flat providing a great visual, lifelike and spatial experience as Dino crawls.

The 3 dimensional lenticular image in Opies unique reductive style evokes both a visual and spatial experience of the world.

‘Dino Crawling’ reflects this with its 3 dimensional depth and endearing moving images contained within a frame.

Inscription and invitation to the Alan Cristea Gallery, 2012, inside frame

The work of Julian Opie is known throughout the world. With public commissions from New York to Seoul, London to Calgary, and an uninterrupted flow of international museum exhibitions, Opie’s distinctive formal language is instantly recognisable and reflects his artistic preoccupation with the idea of representation and the means by which images are perceived and understood. “Everything you see is a trick of the light,” Opie writes. “Light bouncing into your eye, light casting shadows, creating depth, shapes, colours. Turn off the light and it’s all gone. We use vision as a means of survival and it’s essential to take it for granted in order to function, but awareness allows us to look at looking and by extension look at ourselves and be aware of our presence. Drawing, drawing out the way that process feels and works brings the awareness into the present and into the real world, the exterior world.” Always exploring different techniques both cutting edge and ancient.